MOVIE NAME: “Aravindha Sametha “
Boxoffice70mm RATING: 3.25/5 (★★★★★)
Starring: NTR, Pooja Hegde, Eesha Rebba
Directed by: Trivikram Srinivas
Produced by: S. Radha Krishna
Banner: Haarika & Haasine Creations
Music by: S S Thaman
Release Date: 11th October 2018
” Aravindha Sametha “ Review:
Raghava Reddy (NTR) is the only son of Narapa Reddy (Nagababu) – who is the leader of a faction group, Basi Reddy (Jagapathi Babu) leads the rival group. Raghava stands up for peace in the region, without resorting to revenge he goes into hibernation for 6 months after his father’s death. In Hyderabad, Raghava is appointed to protect Aravinda (Pooja) who plans to make a documentary on rayalaseema factionism. Whether Raghava’s attempt to attain peace in the region gets fulfilled? What happens to the Basi Reddy and his family who fume to kill even Veera Raghava Reddy? How the women in the both families play a key role in ending the factionism etc questions are answered in rest of the film
‘Aravindha Sametha’, The first combination of Young Tiger NTR and Trivikram Srinivas, One of the eagerly awaited films this season.
Music: By S S Thaman has worked out okay on the screen.
Cinematography: By P S Vinod turns special in this film.
Editing:By Nawin Nooli was Well Done.
Direction & Written :Ace writer Trivikram’s writing is excellent in MANY scenes
NTR has given one of his profession best exhibitions. His execution here isn’t pompous; his fury has feeling. His mass tricks too have a specific tastefulness. His acting in high-voltage passionate scenes must be believed to be accepted. This is the best acting from him in the long time.
Comic Suneel as Neelambari assumed an essential job, and he is again into his components. Esha Rebba as Pooja’s more youthful sister, Naresh as their dad assumed little jobs. Brahmaji as Jagapathibabu pack part exceeded expectations in a blasting scene in peak. Comic Srinivasa reddy, Naveen Chandra assumed other critical jobs. Sitara, Devayani and Easwari Rao assumed female supporting jobs.
Trivikram Srinivas who is known for class films amazes this time with his decision of subject. He composed a factionist-based story line, yet with a distinction – The account of a factionist’s child who needs to acquire a change his area. Trivikram adhered profoundly point all through the film with no sub plots or deviations. It takes part of guts to convey a high voltage activity obstruct in initial 20 minutes, and Trivikram executed it in style. Another scene Trivikram attempted diversely is the one in which NTR salvages Aravinda, her more youthful sibling from the criminals with just PDA cautioning sitting infront of Rao Ramesh. Yeda poyinaado melody depicts philosophical side of Trivikram. By and large, first half is not too bad with lighter minutes on occasion, and has activity hinders toward the start. Second half manages feelings and 2-3 scenes emerge urgently. Trivikram has written many contacting discoursed all through the film. Additionally, he composed height discoursed to suit NTR’s chivalrous picture. Going to the melodies: ‘Aravindata tana peru… ‘ tune is simply alright, ‘Reddy ikkada chudu ‘the mass tune is normal, it has routine NTR steps. ‘Peniviti’ melody visuals fit the poignancy topic well.
Music and foundation score by S Thaman are great. Altering by Naveen Nooli ought to have been minimal smooth, Cinematography by P.S. Vinod is great. Slam Laxman’s tricks offer to masses in particular.Aravindha Sametha Review